It was destiny. In In the Frightened Heart of Me, Narducci narrates the story of how, after that first meeting, he was drawn deep into Williamss life and worka journey that would change Narduccis life in every way.

In 1946, Anatole Broyard was a dapper, earnest, fledgling avant-gardist, intoxicated by books, sex, and the neighborhood that offered both in such abundance.

Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

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